Roz Fletcher is an interdisciplinary artist whose practice intersects sculpture, ceramics, digital technology, participatory art and trauma therapy. Drawing on the therapeutic modality of Cornelia Elbrecht’s The Clay Field and the structures of Pesso Boyden System Psychomotor (PBSP) she investigates the sculptural, somatic, and metaphysical capacities of clay.

Roz's sculptural language is deployed to explore the universal feeling of loss held in the body. She provokes participation with the body, through archetypal ceramic forms embedded within larger, lightweight “mother” structures, or 'held' within walls and surfaces. Installations are designed to be both visually resonant and physically interactive. The audience is invited to engage with the sculptures as a means of encountering their own subconscious narratives. Sculpture simulates, or literally is, the wet and maliable, suggesting and provoking touch response through inviting portals, fake fur and smooth glossy glaze.  
​Her 'sketching' process is akin to haptic 'bodystorming'. Using a spatial network of boxes filled with wet clay, she models each one in turn, repositions them in xyz while navigating the psycodynamic relationships in freely moveable arrangements, and tapping into her unconscious. Sketches are fixed through digital photography, elevated into tintypes, harvested in sections, or developed into table-top ceramic pieces.

The work offers tactile engagement as a meaningful alternative to screen-based living and conventional art making/art viewing models.